Opening on January 28th The Gibbes Museum in Charleston, S.C. is exhibiting a show of West Fraser’s work, many of the paintings are ones featured in ‘Painting the Southern Coast’. This exhibit is the 9th one-man show of Mr. Fraser’s work, and the 3rd one-man show at The Gibbes Museum.
Painting the Southern Coast: The Art of West Fraser, published by the University of South Carolina Press in July 2016, shares not only Mr. Fraser’s talent as an artist, but also his love of the area he calls ‘My Country.’ “Painting the Southern Coast’ contains history, art, as well as insight into the things Mr. Fraser finds compelling. The book is divided into seven sections, starting with Georgetown, S.C. and continuing along the ‘Georgia Bite’ to St. Augustine, Florida. Follow along with us as we give you a bit more insight into the areas that West explores with his art. Some of the information will be historical in nature, other information will be personal, and of course all will encompass West Fraser’s wonderful light filled paintings. As with the book, we will start in Georgetown County with Hobcaw Barony, one of the largest land grants in South Carolina and the area which would provide South Carolina with much of its income before the ‘War of Northern Aggression,’ through its vast fields of ‘Carolina Gold.’
‘Washo Reserve’ | Santee Coastal Reserve, S.C. | 30 x 36 inches Oil | 2014
Hobcaw and waccamaw are familiar names in the South Carolina lowcountry. To the native americans, these words defined the area which carries the name– ‘between the river,’ or ‘coming and going.’ Hobcaw Barony was the name given to the largest of the land grants in Georgetown, South Carolina and encompasses the area between Winyah Bay and the Atlantic Ocean. Winyah Bay is fed by several rivers originating in the upstate—the Black, Pee Dee, and Sampit—also named for Native American tribes who populated South Carolina.
‘Winter Fog’ | De Bordieu, S.C. | 20 x 24 inches Oil | 2008
The colonial land grant known as Hobcaw Barony was established in 1711 and was later subdivided into individual plantations by Lord John Carteret one of King George’s lord proprietors. The area was the second largest producer of ‘Carolina Gold’ rice and was also a well known producer of American caviar and indigo. Georgetown was an important stop on the King’s Highway, which was established by King Charles II as a means for the colonies to better communicate with one another and extended from Charles Towne all the way to Boston.
‘Slave Cabin on the King’s Highway’
Hobcaw Barony, Georgetown, S.C. | 24 x 36 inches Oil | 2008
In the early 1900’s successful Wall Street financier, Bernard Baruch, purchased Hobcaw Barony for use as a hunting preserve. The plantation was visited by many of the influential men of the day including Winston Churchill. When Bernard died, he left the property to his eldest child, Isabelle W. Baruch.
‘Many Springs’ | Hopsewee Plantation, Georgetown, S.C. | 26 x 36 inches Oil | 2014
Belle, as she was known, led a life of great accomplishment. She was a great sportsman–sailing, hunting, and riding were her greatest passions, along with a care for the environment in which she lived. ‘The preservation of this pristine living laboratory was made possible by the extraordinary foresight of Isabelle Wilcox Baruch, known to all as “Belle”—a remarkable woman well ahead of her time. She was a conservationist in an era when that word was barely understood, much less widely used. She was also an intense competitor who thrived on challenge, fought against long odds with grit and tenacity, and was determined to govern her own destiny in a world that, because she was a woman, often tried to tell her what to do.’ (Charleston Magazine ‘The Baroness of Hobcaw” September 2013. Also of interest in reference to Belle Baruch and art.)
We are fortunate to be able to visit Hobcaw Barony and immerse ourselves in the plantation culture of the past. Learning, and understanding, the past is a great way of helping to guide us in the future. For more information about Hobcaw Barony, or to donate to the foundation, please visit http://www.hobcawbarony.com
For information about ‘West Fraser’s book Painting the Southern Coast: The Art of West Fraser’ USC Press 2016, reproductions, or original art, please visit https://westfraserstudio.com or http://www.helenafoxfineart.com
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Join us for a book signing and artist talk on September 22, 2016 at the Charleston Library Society. For more information on the evening, please go to here.
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There is a lot of talk about plein aire painting, but what exactly does it mean? Borrowed from the French, to paint ‘en plein aire’ literally translates to ‘open air,’ it refers to painting outside, on location, in all kinds of weather.
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Monday, for most people, is the first day of the week. It’s the wake-up call after the weekend. The end of doing your own thing and the beginning of doing someone elses thing. For the self-employed, monday is just like any other day of the week.
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As a student of Art History I find that I often look at what was going on culturally and historically during the time a particular piece of art was created. For instance Picasso’s ‘Guernica,’ it would be hard not to think about the events it represents. Often artists are commissioned to create an allegorical piece that represents a certain event, think John Trumbull’s ‘Declaration of Independence.’
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Recently West received a copy of a book by Mark R. Stoll, Inherit the Holy Mountain: Religion and the Rise of American Environmentalism. It is a fascinating read; especially for a self proclaimed lapsed Presbyterian as myself. In Stoll’s book he states that a “high proportion of leading figures in environmental history had religious childhoods,” but “curiously few were church goers as adults.” This definitely applies to West Fraser.
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The manuscript for my second book has gone to the publisher, the University of South Carolina Press! The book is titled, Painting the Southern Coast: The Art of West Fraser.
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Helena and I enjoyed a memorable holiday in the tropics for Christmas and New Years, and upon my return my first priority was to complete the paintings and submit all of the material to my publisher. The book, which I have tentatively titled, Painting the Southern Coast; The Art of West Fraser, will be released in June of 2016, by The University of South Carolina Press.
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I now have a beautiful new website thanks to the talent and diligent work of Kate Sondag. Thank you very much!
This past May, Helena and I completed an epic trip to Italy. Most of our time was spent in the Sienna region of Tuscany. We stayed with some friends at an estate la Foce that was made famous by the writings of owner Iris Origo.
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I have just completed two new sporting paintings of my fishing expeditions, one from the Limay River in Argentina and another off the coast of Costa Rica. These works titled, Fishing the Limay and Pacific Sport, represent a new series of sporting and travel paintings that I plan to expand upon.
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