Older Painting, New Inspiration

As an artist, finding inspiration is not always easy. I have had the privilege of watching West Fraser create his artwork for my entire life–a privilege I do not take lightly. It never ceases to amaze me what West can create from a blank canvas. There are times when I have watched a painting slowly come to life over several weeks, and other times when it seems that the painting sprang to life over night. These scenarios represent the challenges of inspiration.

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12 Questions with West Fraser: Travel Edition

 

Travel has long been an important part of an artists growth. Being able to capture different environments and depict them in the same skilled manner in which you paint those environments with which you are familiar allows the artist to stretch their artistic wings, so to speak.  It keeps them from getting stale, formulaic, boring (and bored…) West Fraser has long been an advocate of painting his ‘home country,’ as his two books from USC Press demonstrate, he has mastered his beloved Lowcountry and South Eastern shores. When we asked him if he wanted to do a travel show with paintings from recent visits to Sicily, the Almalfi Coast, and Costa Rica, he said ‘Heck Yes! Let’s do it!’ 

 

On Friday May 4th Helena Fox Fine Art is proud to present ‘Artist’s Travels: Featuring West Fraser’ a new collection of paintings from Italy and Costa Rica. In preparation for the show Helena Fox Fine Art gave West 12 questions that everyone was just dying to know the answers too. 😉

12 QUESTIONS WITH WEST FRASER

1. When did you begin painting?  I drew and painted some as an adolescnet into my teens, but I started painting and making illustrations full time after college.
2. What are the three most used pigments on your palette? White, blue and yellow.
3. What did you want to be when you were a child?  I wanted to travel to capture a world that at the time I believed would transition from what I knew into a crowded place. Part of that was because I was surrounded by rapid development. I tell people I am living the life I envisioned when I was only 13 years old.
4. What are you reading?  The Lost City of the Monkey Gods by Douglas Preston and On Trails: An Exploration by Robert Moor.
5. What is your favorite style of music to paint to? 70’s rhythm and blues or Jazz
6. What is a defining moment, or couple of moments, of your artistic career? First: a published article in Nautical Quarterly in 1984 with an exhibition and representation by The Grand Central Art Galleries in New York City on 57th St.–at the time it was the oldest representational art gallery in NYC. Second: in 2001 a museum exhibition tour and book titled Charleston in My Time. Third: an exhibition at the Telfair Museum in Savannah, Ga.–my birth city–titled A Native Son.
7. How do you describe your art to others? It’s like, you know, American Impressionism or Naturalistic Impressionism, the kind of art
   

   Percorso degli Antichi  Sicily

   that you would enjoy looking at…

8. Name the top five artists–living or dead– by whom you have been influenced the most. N.C. and Andrew Wyeth, F.J. Mulhaupt, J. S. Sargent, Winslow Homer, Joaquim Sorolla, Anders Zorn, and  C.C. Cooper.
9. What do you look for when out scouting for places to paint? Composition and the play of light or atmosphere, that is what matters, subject is tertiary in importance.
10. Since this is a travel painting show, if you could go anywhere to paint, where would you go and why? Peru and Chile, because there are still wild places and indigenous culture, and Scotland because I have always wanted to see the land of my ancestors. Anybody want to trade houses?
11. Do you think traveling to paint different areas is important to your growth as an artist? It is paraount to staying fresh, because I don’t want to be a method painter. New places and shapes, atmosphere etc…keeps me observant and forces creative technique.
    

    Pizzaria ‘Ntretella  Naples, Italy

12. What piece of advice would you give to someone just starting out? Work hard and focus on your specialty. For me I made a decision in the beginning to concentrate on coastal regions to find subject matter and inspiration; it really did not limit my scope or travel.

 

 

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What do you know about Hobcaw Barony?

Opening on January 28th The Gibbes Museum in Charleston, S.C. is exhibiting a show of West Fraser’s work, many of the paintings are ones featured in ‘Painting the Southern Coast’. This exhibit is the 9th one-man show of Mr. Fraser’s work, and the 3rd one-man show at The Gibbes Museum.

Painting the Southern Coast: The Art of West Fraser, published by the University of South Carolina Press in July 2016, shares not only Mr. Fraser’s talent as an artist, but also his love of the area he calls ‘My Country.’ “Painting the Southern Coast’ contains history, art, as well as insight into the things Mr. Fraser finds compelling. The book is divided into seven sections, starting with Georgetown, S.C. and continuing along the ‘Georgia Bite’ to St. Augustine, Florida. Follow along with us as we give you a bit more insight into the areas that West explores with his art. Some of the information will be historical in nature, other information will be personal, and of course all will encompass West Fraser’s wonderful light filled paintings. As with the book, we will start in Georgetown County with Hobcaw Barony, one of the largest land grants in South Carolina and the area which would provide South Carolina with much of its income before the ‘War of Northern Aggression,’ through its vast fields of ‘Carolina Gold.’

‘Washo Reserve’ | Santee Coastal Reserve, S.C. | 30 x 36 inches Oil | 2014

          Hobcaw and waccamaw are familiar names in the South Carolina lowcountry. To the native americans, these words defined the area which carries the name– ‘between the river,’ or ‘coming and going.’ Hobcaw Barony was the name given to the largest of the land grants in Georgetown, South Carolina and encompasses the area between Winyah Bay and the Atlantic Ocean. Winyah Bay is fed by several rivers originating in the upstate—the Black, Pee Dee, and Sampit—also named for Native American tribes who populated South Carolina.

‘Winter Fog’ | De Bordieu, S.C. | 20 x 24 inches Oil | 2008

               The colonial land grant known as Hobcaw Barony was established in 1711 and was later subdivided into individual plantations by Lord John Carteret one of King George’s lord proprietors. The area was the second largest producer of ‘Carolina Gold’ rice and was also a well known producer of American caviar and indigo. Georgetown was an important stop on the King’s Highway, which was established by King Charles II as a means for the colonies to better communicate with one another and extended from Charles Towne all the way to Boston.

‘Slave Cabin on the King’s Highway’

Hobcaw Barony, Georgetown, S.C. | 24 x 36 inches Oil | 2008

             In the early 1900’s successful Wall Street financier, Bernard Baruch, purchased Hobcaw Barony for use as a hunting preserve. The plantation was visited by many of the influential men of the day including Winston Churchill. When Bernard died, he left the property to his eldest child, Isabelle W. Baruch.

‘Many Springs’ | Hopsewee Plantation, Georgetown, S.C. | 26 x 36 inches Oil | 2014

                Belle, as she was known, led a life of great accomplishment. She was a great sportsman–sailing, hunting, and riding were her greatest passions, along with a care for the environment in which she lived. ‘The preservation of this pristine living laboratory was made possible by the extraordinary foresight of Isabelle Wilcox Baruch, known to all as “Belle”—a remarkable woman well ahead of her time. She was a conservationist in an era when that word was barely understood, much less widely used. She was also an intense competitor who thrived on challenge, fought against long odds with grit and tenacity, and was determined to govern her own destiny in a world that, because she was a woman, often tried to tell her what to do.’ (Charleston Magazine ‘The Baroness of Hobcaw” September 2013. Also of interest in reference to Belle Baruch and art.)

We are fortunate to be able to visit Hobcaw Barony and immerse ourselves in the plantation culture of the past. Learning, and understanding, the past is a great way of helping to guide us in the future. For more information about Hobcaw Barony, or to donate to the foundation, please visit http://www.hobcawbarony.com

For information about ‘West Fraser’s book Painting the Southern Coast: The Art of West Fraser’ USC Press 2016, reproductions, or original art, please visit https://westfraserstudio.com   or http://www.helenafoxfineart.com

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