More than two hundred beautifully reproduced color plates showcase Fraser’s paintings of city landmarks, lowcountry scenes, and glimpses of life along streets and lanes, marshes and rivers. And though the paintings speak for themselves, two introductory essays written by a friend and collector, Ted Phillips, and art historian Angela Mack complement the images with additional perspectives on the life of the artist. Phillips, who watched and listened over the years as Fraser perfected his artistic vision, introduces readers to the artist on personal and philosophical levels. Mack’s scholarly essay presents Fraser’s work “in a context of time, place, and personality,” comparing and contrasting it with the Charleston Renaissance artists who came before him and others in the American landscape tradition. Both the personal and the professional views of Fraser, as along with his own words of excitement and gratitude as he explains his work, invite readers to turn each page with awe and step into the life of a beautiful city.